Appearance
Goodbye, Columbus,: And five short stories (Meridian fiction)
I like to read relationship-ey novels, and I was thinking that this relationship-ey novella would be a high end take on the impossibility of love, etc (plus I've been told good things about it). And that I'd feel classy after reading it. I do feel classy after reading it. It's a really excellent bunch of set pieces on a young summer romance. Roth does a great caricature: Brenda's worldly father, less-successful uncle, and Neil's crazy aunt are all very memorable and concisely drawn. And he does really precise scenes: it's kind of swimming pool, dinner, doctor, wedding, and we're done.But since Roth's writing really economically and less evaluatively, the main characters were less clear. Brenda, the romantic object, gets some witty lines, but is otherwise treated semi-unfairly. It's really unclear, in the light of this century, how a fight over a contraceptive would be so important for a couple having plenty of sex - a fight where Brenda's implausibly portrayed as both self-hating and pretty sneaky. And Neil as unbearably arrogant. And why'd she like the paranoid, chip-on-his-shoulder, but also smugly superior kid-from-the-other-side-of-the-tracks? Also unclear - since Neil works in a library, it wasn't like he was rough trade or anything.So it's very good in the particulars, but there's a hole in the center of this thing. I liked the Ghostwriter - an absolutely perfect novella - even better.
The inhuman land
How does an human being survive the horrors of Stalinism? The barbarity of the massacre at Katyn Forest and still live? Pan Czapski pours his heart and soul into this true account-his account-and shows us how thespirit can give strength to mankind when there is work left to be done.A heart rendering,horrific tale of inhuman butchers. Never let us forget!M.Baker
Chopin;: The man and his music,
This book (originally published in 1900) is split in two sections. In the first 100 pages, the life of Chopin is discussed by Huneker in a very colorful and poetic style, although unfortunately very few biographical facts are revealed. When I finished this section I felt I had hardly learned anything new about Chopin.The next 150 pages deal with Chopin's music, in which Huneker comments briefly on every one of Chopin's compositions (with the exception of several pieces unknown to Huneker), categorized by type (Ballades, Preludes, etc.). This section, like the first, is amusing but not very helpful. The author never really goes into great depth about any single piece. Instead he simply says a word or two on mood or style, often quoting authorities such as Kullak and Niecks, and compares several major editions of the work. I would recommend this to someone very interested in editorial details... anyone else could probably do without most of this section.People familiar with Chopin should find Huneker's writing somewhat enlightening, though far from substantial. Those looking for an introduction to Chopin may find the first section very helpful, if they can tolerate the author's verbosity.
Chopin;: The man and his music,
This book does not present much information about Chopin the man, and stumbles around endlessly about Chopin's music. The prose is laughably dated. Who can not help laughing at sentences like "Chopin distrusted Jews, but that's the way Poles are." The French, English, Germans, and Hungarians: Huneker comes up with some interesting stereotypes for them too. Many of the facts are incorrect, as the editor supplies the corrected facts in the footnotes on nearly every page of the text. And the music discussions have the spirit of "What a powerful melody! However, I believe the third note of the 14th measure of Etude 12 op. 10 should be an F sharp, though it's written differently in some scores." What a snore. I suggest looking elsewhere for real information about Chopin and his music. This book offers no insights though some occasional unintended laughs.
Chopin;: The man and his music,
Huneker was an aspiring concert pianist (as well as a brilliant writer), and his analysis of Chopin's music and poetry are simply amazing. Like Chopin, Huneker expresses from the heart and hears the music at a whole new level. His interpretation is raw and as full in energy as the music itself (especially for etude op.25 no.11 and the ballade no.1).
Chopin;: The man and his music,
Who can count themselves learned in Chopin who has not read Huneker's wonderful, purple-prosy, unabashedly romantic examination of the Polish Master's music? If the musicology is a tad dated, the enthusiasm, the sheer love of music present on every page, are more evident than ever. This is absolutely essential reading for the Chopin lover.